Meet the characters of THE WITCKE IN THE RUINS.

DISCLAIMER: Many writers take inspiration from already existing characters or real people like actors or celebrities. It's an easy way to reference and check yourself as you write them. That doesn't mean that the writer copied someone else, or hasn't put thought and effort into making their own characters with good story arcs. Trust me, paying homage to the following characters in no way means I haven't created my own world, with my own characters, and their own struggles and motivations. Despite the general trend toward  inspiration from cartoon and MG characters, The Witcke in the Ruins is a YA fantasy with dark elements.

Fifteen-year old Astrid Kindle has never heard of the magical witckas, though her parents have spent the last two decades fighting one. She only knows her mother disappeared, leaving behind a silver necklace that's the key to crossing into other worlds.

After accidentally stumbling into a world that uses spellbinds instead of technology, Astrid is shocked to find her long-lost mother part of a stalwart group working to protect her world from Black Annis, an black witcke with world-dominating designs.

Unfortunately, Astrid's arrival in the forest village of Grundwell alerts the black witcke to the presence of the last piece of her plot--the silver necklace--and she attacks. Astrid narrowly escapes with the help of an awkward kitchen boy named Chale, but not before her mother is captured by the enemy.

Armed only with a temperamental spellbound sword and Astrid's unforeseen aptitude for magic, the two teenagers vow to rescue her mother. Pointed along a path by Chale's estranged grandmother, they trek across a rocky expanse of hazardous lowland inhabited by the ghoulish wights. Pursued by thirteen ancient Druids in Black Annis's thrall, they desperately seek for the source of the black witcke's power: a totem that--if destroyed--will give them a fighting chance. But time is running out for Astrid's mother as Astrid and Chale discover their quest may be exactly what Black Annis intended.

ASTRID

As the main character, Astrid was the most difficult to pin down from the get-go. I had a vague idea of who she would be, but it wasn't until the second rewrite of the book that I finally began to draw some defined personality and voice from her. Her inspiration came from many different characters including Elonwy from the Lloyd Alexander's The Prydain Chronicles, Mariel from Brain Jacques's Redwall books, and a small bit of Hermione from the Harry Potter books. I mixed them all together and added a little attitude and a lot of self-awareness from the girls I met while involved with the Hardcore music scene.

CHALE

I always knew who Chale would be: a mix between my brother Travis and myself, especially when it came to interacting with girls. (We were both unbelievably painful nerds.) Chale needed to be awkward, stutter, look at his feet, all that good stuff. He can't read, can't write, and sees himself as only a mere kitchen boy. But I also wanted him to have courage that could be coaxed from him as the book unfolded. A few rewrites in, his stuttering lessened, and his courage came sooner. I also added in a little longing for adventure, a desire to make a difference, along with a need to help protect Astrid (who almost doesn't need protecting). I took inspiration from Wart (Arthur) in Disney's The Sword in the Stone and Taran from Lloyd Alexander's The Prydain Chronicles.

SPIGWORTH

I'm going to admit something: Spigworth is a blatant love-note to all the talking owls that have appeared in cartoons and books through my childhood. Archimedes from Disney's The Sword in the Stone, Brian Jacques's half dozen owl characters, Owl from Winnie the Pooh, and many more. I just love the idea of stuffy British owls in books! Can't help myself. The spirit of the character also took some bits of Fflewddur Fflam from Lloyd Alexander's The Prydain Chronicles. Spigworth fills the role of guardian over Astrid and Chale, keeping them in line and adding a little worldly knowledge to temper their decisions.

KENNETH

I've owned rats as pets, and love to look at them at pet stores. I think they're cute and funny; sue me. But a rat (or rats as was originally intended until I combined two characters--RIP Git) was also the perfect character to pair with Spigworth; polar opposites in form, the food chain, and personality. While Spigworth thinks highly of himself and puts great emphasis on duty, Kenneth is mostly concerned with turning a profit at the expense of his reputation, legally or otherwise. As the book progressed, Kenneth became more complex, moving into the role of a cynical pessimist who didn't really want to be helping Chale and Astrid. His story arc, ending with a pivotal role in the climax, is a little more defined than I had initially intended, which I'm quite satisfied with. Some of his inspiration came once again from Brian Jacques's many sea-rat scallywags, but mostly Templeton from Charlotte's Web.

BLACK ANNIS

I have a thing for witches. And I mean a particular kind of witch: old, robed, filthy, seriously nasty--nothing funny about them. (Possibly a little female Emperor Palpatine in there.) She's the bad guy and does some not-cool stuff. Some of you might recognize the name of Black Annis (or Agnes) as that of an old rural legend from the UK. With Black Annis, I play homage to that legend as it fascinates me: an old crone living in the woods/moors, sometimes in a house, sometimes in a hill, always with an oak tree growing by the door and tanned human hides in the branches or tied around her belt. Super creepy, and oh-so-fun. I actually had the character developed before I researched the legend, and she fit pretty well with a few tweaks and name change.

BLOSSOM THE WITCKE

There's an old Still Remains song titled "Blossom: The Witch." I don't know if I've ever had three small words spark such an explosion of imagination as these. I'm not sure what the song is about beyond a few lyrics ("Beware of her eyes, beware of Blossom"), but that didn't matter. I knew I had to write a book that had a witch named Blossom in it. She's Chale's creepy estranged grandmother, a small bit part that I hope is a lot of fun to read.

OLD DONETTE

Chale's grandfather and innkeeper of the Wandering Wanderer. Going back to the boy with a sword archetype, there's gotta be the wise old man in there, just like Obi-wan Kenobi in Star Wars, Dalben in The Prydain Chronicles, or the inimitable Gandalf in The Lord of the Rings. A little Merlin from The Sword in the Stone. I did pull back on Donette however, limiting his role in the story, making him more of an armchair magician that doesn't affect the plot much. He's not a bad guy, but he's done wrong with Chale, never teaching him to read, relegating him to the kitchen of the inn, etc. I do have exciting plans for him in possible sequels. :)

MOTHER AMBRIDGE

As a smaller character, I still found Mother Ambridge fun to write. She's old, cranky, and quietly powerful. I took inspiration (strangely enough) from Madam Mim in The Sword in the Stone, and Mrs. Patmore from Downton Abbey.

ABBEY

As Astrid's mother, Abbey is important to the story, but strangely didn't need a lot of characterization. I eventually wrote her as the sort of blank-faced character that you'd see in the background of an older Disney cartoon or something. She makes a bad decision before the book begins and comes to regret it in the course of the story, so there is a small arc there and character development.

I should add, the idea for this post came from Vicki Weavil, a good friend who posted a similar thing to her own blog yesterday. Go check it out, as she just signed with an agent and you may be seeing her novel in print soon!

All images are borrowed from the internet for entertainment purposes only. I do not claim the rights to them, and they do not represent the characters I have detailed--only provide a visual hint.

Why I changed my title.

This graphic is very suddenly
out of date.

Hello everyone! It's been a while since I last posted, so I thought I'd pop in and let you all know what's been going on. The last couple of months have been a strange mix of waiting impatiently on other people, then furiously working for hours and hours to finish editing my latest book. Looking back, I can't decide if I should classify the months as productive or a general waste of time. Let's go with productive, since the book is finally being queried.

So, yay! After more than a year since the first word was typed, THE SOMETIMES SWORD is finally on submissions to agents. Kind of. See, it's now called THE WITCKE IN THE RUINS. Let me explain: when the book first started, the main idea was that of a young boy with a magical sword saving the day. Yeah, that's the archetype I chose to go with. The sword in question liked to disappear at the worst possible times due to an unfortunate mix of spellbinds that had been placed upon it not playing well together. However, the book has been rewritten 3 times now, altering not only the main character (adding in a female protagonist as the main POV), but also changing the nature and importance of the sword.

The sword is now a very small aspect of the book, serving only as yet another plot device to frustrate the characters by disappearing at inopportune times, hardly pivotal to the plot. Because the title was THE SOMETIMES SWORD, the current version of the book was a little confusing, as I didn't really explain much about the sword, or why it disappeared (it's now simply an experimental sword that wasn't ready for real world use yet). My beta readers kept repeating that they couldn't understand why the sword was even in the story to begin with (this was very frustrating for me, as I didn't want the sword to be important anymore, and hated the thought of making it once more a large part of the story).

After a bit of thinking, I decided that rather than expanding the sword's importance, I would simply change the title of the book, thereby changing the reader's expectations, and voila! The sword now fit in its current role, no changes needed.

But that brought a new challenge. What should I title the book after a year of calling it something else? I won't go through the whole process (I had five or six options and talked to a lot of people about them), but I eventually landed on THE WITCHER IN THE RUINS, seeing as my magic users are called witchers, and one of them happens to be in some ruins at one point. It worked, and I liked the tone the new title gave.

BUT. *record scratch*

The term "witcher" is apparently associated quite strongly with a series of books/videogames by the same name. I'd never heard of it before, but it just goes to show that the best laid plans of mice and men, and all that. After talking with a few people in the industry, I decided I'd need to change the name of my magic users and my title. Now, I already have made-up names for other familiar creatures specific to the world (such as canavar, bloedrech, etc), so it wasn't a stretch to simply alter the idea of a witch-like person into a new word. I came up with "witcke" (pronounced wit-key) with the plural of "witckas" (similar to Wicca, which works on a lot of levels). It was close enough to evoke some of the same associations as "witch", but different enough to catch the eye a little bit. Hence the new title of THE WITCKE IN THE RUINS was born.

I'll post again about the querying process here soon.

Plugging away!

I've been sending out a bunch of queries over the last month, in addition to working on my new novel. I've gotten several rejections--which is to be expected--but still haven't heard back from the vast majority of them. In general, I'm keeping pretty positive about the whole thing, with little spikes of excitement and dips of depression. It's funny how incredibly normal the process has been, or maybe I should say it's been standard. Writing and querying don't have much about them that's normal.

I'm looking forward to becoming a little more active on Twitter and the blog once more, so make sure to stop by.

The end of yet another book.

It seems almost... mundane news to be finishing another book. I've been at this whole writing thing for years now, and it seems like just another day. Almost. Don't get me wrong, I'm not some writing veteran, but when you do something for so long, it starts to become the norm.

On the other hand, five years ago I never thought I'd write one novel, let alone multiple books. All things being equal, I'm pretty excited.


Only Gingers Can Be Witches was completed last week, and is ready to take its long nap while I begin editing The Sometimes Sword. It's been a weird ride, I can tell you that. I've experienced some of the highest highs and the lowest lows while writing this book, and I'm glad to see it's finally paid off. I've dropped it off to multiple beta readers, and I hope they enjoy, and don't rip me to shreds. *Chuckles nervously* Hopefully I'll be able to make it back to the book by this Fall, and then querying by Winter.


So now I embark on the strange and frustrating journey of editing, a journey I don't yet have much experience in. Wish me luck!

Diversity, show-don't-tell, and a query tip.

Oh wow, okay. It's been a very long time since I posted anything, but that doesn't mean I haven't been up to a lot. I've just passed the 50k mark on my current book titled Only Gingers Can Be Witches. I'm coming up on the official start of editing The Sometimes Sword version 2.0 (which some of you will remember I finished about two months ago). I'm now sitting on 4 novel-length works in my (admittedly short) writing career, which is a little mind-boggling to me. Hopefully I will be ready to begin querying The Sometimes Sword by the end of this Fall.

A quick update.

I've been really busy lately, which is a good thing. Sometimes I think back to two years ago when I worked full time and didn't go to college; and I wonder what I did with my time. True, that job was incredibly stressful and I usually worked over time (almost 60 hours a week around the holidays), but other than that, I didn't have much else to do. I'll admit to spending hours and hours playing World of Warcraft, mostly just to unwind after work.

Now however, I work a (relatively) low stress part time job (if my boss can keep the company afloat that is), attend school part time, and write. It's a pretty nice set up, and I know I'm lucky to have it. I was able to finish my rewrite of The Sometimes Sword just a couple of weeks ago, and it's currently in the hands of my beta readers. In a month or so I'll be starting up my web comic Kestrel with my brother Travis, and as of this last Monday, I've officially started my fourth novel. My brain is swimming in fiction and it's awesome!

It seems as time goes on I find myself wanting to write for younger and younger audiences. And I'm cool with that. I know it won't always be that way (I like to write violence and dark stuff too much to never return to adult fiction), but for now it's what's floating my boat. Here's how it goes: my first book ever was written for adults; the second, for the older end of YA; the third (which was a rewrite of the second) lowered that age by two years; and now I have this new book, written most likely for kids ages ten and up. Perhaps I'm just regressing, losing some of my ability to write mature material. Who knows.

Anyway, it's my first attempt at a diverse fantasy, and I'm really excited about it. It's about a young girl living in a smallish town in late 1996 (heck yeah, I'm way excited for a period piece). One day, another girl moves in down the street, and she just so happens to be a real, self taught witch, complete with pointed hat and striped stockings. They get into shenanigans and a mystery unfolds. Should be fun.

So that's what I'm doing so far! What about you?

My review of Chuck Wendig's DOUBLE DEAD. Goretastic. Goregasmic? Go to church to Goreship?

Double Dead
by Chuck Wendig

5 out of 5 stars. Imagine them.

First off, I'm gonna tell you all that Double Dead is not for the faint of heart. If you suffer from a severely overactive gag reflex, heart murmurs, are a nun, or you're just straight up noodle-necked (not a real thing), stay well back. If you don't fall into those categories, pick up the dang book. I give Double Dead 5 solid stars, and it deserves it.

A review of Bryce Moore's VODNIK. In short? Excellent.

My unofficial rating.

VODNIK

Every once in a while, I read a book that ends up being the equivalent to a tall, icy glass of water. Or better yet, Sprite. Just refreshing. I can think of several in my own reading experience (just to name a few): Harry Potter, Fablehaven, and most recently, Vodnik by Bryce Moore. Now don't mistake me, I'm not comparing these books to each other, or even grouping them up under some category, I'm simply saying they all gave me the same sense of excitement; the feeling that I was reading something new. With Harry Potter I was blown away in part because it was one of the first true Urban Fantasies I had read (not to mention a million other things, love that series). Fablehaven was bursting with simple imagination and adventure, something I really needed at the time I read it. Vodnik smacked me in my face and showed me that true wit, sarcasm, earnest story-telling, multi-layered plotting, grit, and fairy tales can all inhabit the same book.

My World's Map. By Your's Truly.

I made this after attending a panel on mapmaking by Isaac Stewart at LTUE. Thought it might be fun to post. If you haven't realized, it's also my background.

Sprucing up a character.

I'm doing this right now. Hopefully some of my ramblings will make sense, possibly even be helpful if you're having the same problems as me. As most of you know, I'm in the middle of a second version of my book The Sometimes Sword. One of the main things I wanted to do this time around was inject more personality into everyone. I feel like so far I've been doing well. Most every aspect is a hundred times better than the first version: plot, descriptions, character voice, action, creepiness, etc. I can do even better though. I'm about halfway through with 61k words complete, but before I go any further, I want to go through and spruce up my main character Astrid.

She's always been the weak link. I've always been so focused on making her likable and relate-able. As I've been reading other books lately, I've been struck by how directly related character personality is linked to their foibles. They walk hand in hand. Therefore, it stands to reason that if Astrid lacks the proper amount of flaws, she also lacks an equal amount of personality. So I'm taking her back to the drawing board, re-evaluating her, and adding in some crap. We'll see how it goes.

I'm still alive, I promise!

Working on a lot of things right now, glad to have too much to do, rather than too little. But I thought I'd drop by and give you all an update on what's going on. First off, this next month's interviewee will also be my second published author! (You can check out the first one here.) Bryce Moore (@bmoorebooks) has agreed to have a few questions thrown at him, which is great, cause he's a really amazing writer. His book Vodnik will be out soon, and I'm excited for all of you to read it. I've already had the pleasure of reading it pre-release, and it's amazing! More on that later though.

On a related note, my monthly Aspiring Writer Interview series will no longer be called such. I will be dropping the "aspiring" bit, because if a person writes, they're a writer. Period. There are good writers and there are bad writers, but that's another issue.

Right now I'm deep in developing plot within the second version of my own book, even as I write. It's kind of counter intuitive, but that's how I roll. I just passed the 52k word mark, which if my expectations are correct, means I'm just now over the halfway point. Woot! I know I have a lot of revision to do, but that's something I've come to terms with. I'm a messy first draft-er.

One last thing, if you haven't already, feel free to follow me on Twitter, as I've become a little more active there lately (@SometimesSword).

I've been interviewed! Also a bit about why I haven't posted in a while.

Hey all, it's been a lean couple of weeks post-wise, so sorry about that. I wanted to touch base real quick, and let you know that I'm still alive! First off, Leigh Covington interviewed me on her blog, which you can visit here. So click that link! It's worth it.

Also, the reason I haven't been doing much on the blog is because I've been writing. Yeah I know, right? I've actually been picking up the pace, and aside from the last three days (LTUE), I've been getting at least 1k words knocked out per day. On Wednesday I actually hit 3k in one day, so yeah, I figure I can forgive myself.

Hopefully I'll get a chance to get a good post up here soon!

Local Writer Interview: Ali Cross

This month's interview is a little different, since Ali is not simply an aspiring writer, but also a self-published one. We met across the Internet machines through Melanie Fowler, another of my interviewees. Ali is very, VERY active in the writing community, and I'm excited to get to know her a little better. As you all know, I like to just jump right in, so here goes!

If it's not too much to ask, how old are you?

LOL, I’m in my 40’s. But I never really aged past 23. I’m eternally youthful. (Ha!)

Are you married? Kids?

Heck yeah! I have a rockin’ husband who’s a computer genius who slashes computer code and cuts hackers off at the knees. My two boys both eleven, are evil geniuses who take after their dad (thank goodness. One of them is a black belt and the other is close on his heels. At our house it’s all awesome, all the time.

Where in our lovely area do you live?

I live in West Jordan, Utah, but I’m not even an American. I’m a Canadian who’s followed her man (who followed a job) to the States and has been trying to get back home every since. (It’s been twenty years. I haven’t been too successful yet, obviously.)

How long ago did you start writing seriously?

I started writing seriously nine years ago. I know the precise date because my family and I were driving into the mountains for a weekend in the autumn leaves. On our way out popped from my mouth: “I want to write a book.” I swear I did not think those words before I said them, but as soon as I did, I knew it was true. My hubby and I chatted about the idea (I’d always wanted to write a story about my favorite Dungeons & Dragons character—hey, don’t laugh) and it wasn’t long before he admitted that he, too, would like to write a book.

We stopped at a Podunk gas station convenient store, happily discovered they stocked the basic materials with which to begin a book (notebooks, pens, index cards and tape!), brainstormed and outlined our books over our long weekend and … the rest is history! (And to follow-up, we both wrote our books, and finished them together, New Year’s Eve 2003!)

What project are you currently working on?

Right at this very second I’m finishing up the first draft of a middle grade fantasy called LAND MAGIC. Meanwhile, another MG fantasy THE SWIFT, is resting between revisions, and DESOLATION (book two of Desolation, my young adult urban fantasy series) is resting before revisions begin. Exciting stuff!

How long have you been working on Land Magic?

LAND MAGIC was conceived a couple years ago, but I didn’t have to work on it at that time. I did a quick and dirty outline and left it alone. I started drafting it during NaNo ’11, but couldn’t finish because of the release of BECOME (the first in the Desolation series). Time to finish this baby up!

Tell us a little about it.

Here’s my working blurb: 


In a world where land magic has fallen into disuse and land comes together and breaks apart like clouds in the sky, one boy must rediscover the ways of the old magic in order to reunite his family and save mankind.

Wow, that sounds kinda lame. I promise it’s a lot more fun and awesome than it sounds. J

What are your goals for it?

I self-published BECOME, and I love, love, loved the experience. I’d like for LAND MAGIC to reach middle grade readers which (I believe) there’s no doubt traditional publishing methods are (so far) better suited for, but . . . I honestly can’t imagine publishing in the traditional sense.

Have you sent out any queries? How many have you gotten responses to?

Oh yeah. I queried BECOME to 103 agents. Twenty-eight agents read the full manuscript. One agent read three full versions of the novel, and still rejected it. Another agent made an offer, but ended up being a flake and left me hanging for four months before I finally got wise and moved on. Crazy, right?

Have you published anything previously?

Nope! BECOME was my maiden voyage!

Do you have any special sales you'd like me to highlight?

YES! Through February 4^th (the day of NiNoCon, woot!) BECOME is on sale at Amazon here and Smashwords here for only $.99!

Anything else you'd like to tell us about works you've previously published/put on sale?

BECOME is an awesome, dark young adult novel—if you’re a Buffy fan, or a Lilith St. Crow fan, or a Melissa Marr fan . . . I think you’d like my book, too!

What is your favorite book or author? Why?

My favorite book(s) belong to THE FIONAVAR TAPESTRY by Guy Gavriel Kay. I’m not a fan of all of his books, but this trilogy is the one that inspired me to write (because I wanted to write something as amazing as those books—to reach people the way these books reached me). THE FIONAVAR TAPESTRY, is rich and beautiful, heartbreaking and fulfilling—it’s everything I think a truly great book should be. And I think it would nowadays fall into “new adult” fantasy, but back when I first read it it was just regular old fantasy. J

What has been the hardest part about writing your current work? About writing in general?

I’m not sure. I haven’t struggled with the craft in the same way that I know other people struggle. For me, the hardest part is believing in myself when no one else does.

What has been the best or most rewarding aspect of writing?

Without a doubt the most rewarding part are all the friendships I have formed through writing and blogging. Who knew that such a solitary art could give me such an amazing sense of belonging?

Do you have any "technical" suggestions for new writers?

A couple tools that have really helped me. Buy the book SAVE THE CAT by Blake Snyder. It’s funny, quick and easy to read. It’s a script-writing guide, but it absolutely relates to writing. I swear you will not regret it. Next to that, get thee a crit group! I think that should be in the writer’s ten commandments.

Do you have any sage advice for new writers?

LOL, no. Just, if you have a dream? Don’t let it stay in dreamland forever. Live your dream—because you CAN.

Is there anything else you'd like to tell our readers?

Come to NiNoCon this Saturday (February 4^th!). It’s a free online writer’s conference taking place at www.ninjaswrite.com. It’ll be fun! There’ll be lots of great info! And PRIZES!!

Give us some links to any blogs, websites, or other online media you run.

You betcha! Thanks for letting me plug, Trevor!

ali cross (blog) www.alicross.com

the writer’s dojo www.ninjaswrite.com

the indelibles (a group of 25 self-or-indie-published authors) http://indeliblewriters.blogspot.com

There you go people, go check out her blog and all the goodies she has for you, and read her book Become dang it!

Save the Cat. A book I've never read, but I'll discuss it anyway.

This semester, I took a class called Intro to Film. It was basically just a filler credit to get my Fine Arts requirement, but I'm happy to say that it has become more than that. It seems that I fell into a wildly beneficial learning experience without even realizing it. How's that for good luck? I'm only three weeks in, but so far we've discussed a variety of subjects, each one either directly, or at least feasibly, relating to novel writing. The format of the class runs like this: we have an hour lecture, a two hour movie, and an hour discussion. I've already gone into this in a previous post, so I'll be brief. In the hour lecture, the professor teaches us something about narrative structure, themes and motifs, character development, set dressing, lighting, or music, etc. Some of it is amazingly helpful in my own writing, and even the other stuff, such as set dressing and lighting can still be taken for what its worth.

Let me explain. There is a term in the film business, mise en scene, which basically means the style of what you see. The Director and Production Designer of a movie try their best to keep this consistent, and it's what gives the film its "feel". It can include furniture, set design, color palette, lighting, makeup, costuming etc. Think of films like Moulin Rouge, 300, or any Tim Burton production. These have a very strong mise en scene. The same goes for an author writing a book. While reading a book isn't a strictly visual medium, the visuals are still important, if you know what I mean. The author acts as the Production Designer, creating a world through description, not images. A good, or shall we say, successful writer, can plant a literary mise en scene right in the reader's mind. By keeping descriptions of objects, clothing, and buildings consistent, a writer can maintain a distinct style that persists in the reader's mind throughout the story. Not only that, but the way in which a writer forms their sentences or uses pronouns and adverbs can give the actual words a recognizable style. Harry Potter, The Wheel of Time, and the Codex Alera books all accomplished this in my opinion.

So I guess what I'm saying is that I've come to appreciate movies as a learning experience for my own writing. This leads me to the subject of this post. In class last week, we discussed narrative structure. I've done a lot of my own self-learning about this, listening to podcasts, attending panels, etc., but I've always been a little hazy on how to properly structure my stories. My professor told us about an old Hollywood staple, taken from a book called Save the Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder. It's intended to be a help for screenwriters, but it applies just as well to novelists. In it, the author outlines a series of "beats" that every successful story should touch on. It's not a formula per se, simply an outline of what will keep an audience/reader interested in the story. Since you can find it on the web in a million places or in any film class, I'll outline it really quick here:


Opening Image (where we see the character, and get a basic idea of who they are):
Theme Stated (the viewer/reader gets to see what the movie/story will eventually tell them):
Setup (Characters living life):
Catalyst (the big "thing" that happens):
Debate (where we see the characters trying to sort out their options, figure out what to do):
Break Into Act Two (this is where they take their first step toward and attempt to resolve the problem):
"B" Story (a different, but associated character's story, many times this is a romance):
Fun and Games (think training montages, newly dating couple having shenanigans, etc.):
Midpoint (disaster that commits character to their path, halfway through the story):
Bad Guys Close In (this is where stuff begins to escalate, become more serious):
All Is Lost (low point, everything bottoms out and the worst has happened):
Dark Night of the Soul (kinda self-explanatory, characters question everything, superhero hangs up his cape in despair, oh crap):
Break Into Act Three (Where things begin to turn around, characters begin to fight back in earnest):
Finale (the big finish, sword fight, dog fight, Luke cuts off Vader's hand, and the Emperor is thrown down the ventilation shaft):
Final Image (new life, we see the aftermath, people are reunited, usually a happy ending, but not always):


I may have misconstrued some of those points, and if I did, let me know. But the general idea is there. A successful screenplay hits all of these beats at some point, and so does a novel (in my opinion). Today I went through, and applied my own book to these beats. I was surprised to find that most everything was represented, though the order was a little out of whack. I'm not saying this will work for every novelist, or even every genre. As for me, it's been a big help. Take a look at it, try to assign your favorite movie or book to these beats. I guarantee you'll be able to. Then maybe try your own book. Story and character are the most important thing in any novel, so take some time and give them some love.

Connection to Characters.

Before I dive into the main subject of this post, I wanted to share a quote from the late Bob Ross. I feel like it applies to writing just as much as painting, so just insert the words "write" and "pen-and-paper" where ever you feel like:

"Talent is nothing more that a pursued interest. With this technique, it is not necessary to draw a straight line or any kind of line for that matter. We begin with paint and brush--the object is to capture the dream quickly, while it is still alive."


Today I want to talk about characters. Not so much what makes a good character, or techniques for developing them, but more about why we can feel such a deep connection to them. Many writers have different things that sparked their initial desire to write: the joy of world building, the challenge of writing great plot, or creating magic systems. For me, it was the friendships I developed with the characters from Redwall, Harry Potter, and Lord of the Rings that first made me want to write. The hares of the Long Patrol from Brian Jacques books made me feel like I was part of their strange and thoroughly British circle. Harry, Ron, and Hermione felt like real kids I was hanging out with, getting into scrapes and learning magic. Frodo's inner struggles against the greed and corruption of the ring, along with the feelings of loneliness that came with it, spoke to me when I felt down and helpless. These were personal relationships, not just a passing identification with superficial qualities.

I remember the first time I cried while reading a book. I was young, maybe nine or ten, just finishing the Chronicles of Narnia for the first time. I read the last sentence, closed the book, and stared at the cover. I couldn't understand the feelings bouncing around my head. I know now that I was dealing with a feeling of loss. The people I had known so well, that I had lived beside while I read, were gone. There was no more. I was devastated. Of course, as time went on I read more books and re-read Narnia. I came to accept that end-of-book feeling. I stopped crying after I finished a series and learned to cope with the end of a relationship with the characters. Then, when I read Lord of the Rings for the first time, I once more cried at the end. I still do, even when I watch the last scenes of the Return of the King. When the last book of The Wheel of Time comes out this year, I'll ball my head off. I may even take off work just so I can let myself wallow in sadness for a day.

This might all sound pathetic, but when you look closer, it begins to make more sense. One of the miracles of being a human is the ability to create. Some might say it's the one thing that carried over from the God that put us here (or space aliens, whatever). Not only can we build skyscrapers, make art, or write music, we can make new people. Think about that. Make new people. With a pen and paper, or keyboard I suppose, a writer can form a person so convincingly that his/her readers fall in love with them (romantically or otherwise). This is a fictional person that feels so real, and fills a hole in ourselves so thoroughly, that we actually grieve when the book ends. To me, this is the most wondrous thing I can think of. It speaks of our imagination, our mental reach, and our ability to dream.

It's incredible, and I completely fell for these author's creations. Isn't that the most amazing thing ever? If I could only do that for someone else, just once. Can you imagine? This is why I started to write. So far I haven't accomplished this goal, but I have managed to convince myself that Chale, Astrid, and Spigworth are real, at least in the very darkest, unused parts of my mind. I guess that's the first step.

What characters have you felt a bond with? Which books drew you in the most, and left you hollow inside when they ended?

How watching films critically can help you write better.

I had my first Introduction to Film class yesterday, and despite the four-hours-in-one-really-old-theater-seat syndrome, I'm pretty excited for it. As I'm sure you can guess, we view a film once per class, book-ended by an hour lecture and discussion afterward. This gives the instructor a chance to teach us about a particular concept, allow us to watch for it, then discuss and identify the film-maker's usage of that concept.

As most of you know (at least, I hope so), movies begin with a screenplay. Which is writing, btw. Instead of writing a five-hundred page novel, a screenwriter writes something like one-hundred twenty pages (about 90 minutes of movie). Both novels and screenplays share a lot in common, from the basic structure (generally three-act, though there are always exceptions), to the need for natural, but informative dialogue. As always, characters and plot require hard work and probably tears of frustration in all forms of writing.

The interesting thing about watching a movie with critical eyes (as far as the writing portion goes), is that its format is perfect for catching all the ways the film makers handle the story elements. Such a condensed version of a story makes it east to identify character conflicts, quirks, and flaws. It's readily apparent what character's hold which place in the plot, and who does what.

We watched Little Miss Sunshine, a pseudo-indie film made back in 2006 or 2007 (maybe). We were instructed to watch for motifs (repeated themes), character parallels (and foils), and metaphors. During the discussion we talked about what we had found, and it struck me how easy it looked on screen. Of course the VW bus breaking down was a metaphor for the family's steady deterioration. Of course the beauty pageant at the end symbolized all of the character's misplaced dreams. Why can't it be so simple while writing a book? Well, maybe it is.

Next time you watch a movie, try to look at it with a screen writer's eyes, instead of a movie-goer's. Try to identify the techniques the film maker uses to draw you in, to define character, to advance plot, etc. See if any of those things might benefit your own writing. Hopefully I'll find some good stuff of my own.

Aspiring Writer Interview: Leigh Covington

This week's interview is brought to you by Me. And Leigh Covington from right here in Utah. I was pointed toward Leigh's blog by Melanie Fowler (another Aspiring Writer interviewee, click that there link) and I decided to ask her for an interview. She got back to me right away, which I very much appreciated, so thanks for that Leigh! It's referrals like this that help me keep up this feature, so keep them coming!

Leigh Covington

First, some of the boring/invasive questions. How old are you?
*sigh* Can I lie?

Yes.

20’s would be awesome! But alas. I am in my low 30’s.

Are you married? Have any kids you'd like to brag about?
Yep! I am a city girl who married a farmer! He loves being in the middle of nowhere and would be perfectly content there as long as he lives. I, on the other hand, prefer civilization, although I do love to visit remote areas too. I have 3 kids. A boy, Kai (8), girl, Haydyn (5), and girl, Paisley (2). My entire life revolves around them. They are so much fun, but at the same time --- I love bedtime!

Where abouts do you live?
I live in West Point, Utah. It is west of Clearfield of Layton (depending on which you have heard of.) And very near the entrance to Antelope Island, which is fun.

How far back did you start writing?
Oh heavens! I have really been writing my whole life. I get a lot of requests for poems for people or skits for church groups. It is fun. But I was always afraid to go for something more – like being published. However – last August, I finally took the plunge and jumped into the blogging world (for writers) and I am working more fervently on some of my MS’s.

What are you working on right now?
I have put some of my picture books on the back burner for the time so that I can work on my YA fantasy, STAIN. It has been an adventure, and thanks to some fabulous crit partners, as well as blogging buddies – I have learned so much & it is constantly improving.

How long have you been working on it?
Hmmm – is it weird that I don’t know? I think since about September or October. I didn’t make get as much done as I wanted, with my school schedule, but I plan to have the first draft finished by March 31st.

Tell us a little about Stain.
Skye, and her best friend, Logan escape from an Island where they were used as slaves for their country. The King executes them at the age of 17 in order to prevent an army from rising against him. Skye and Logan happen upon The Guardians, where they are told more about why they were enslaved on the Island, along with the other children of Selaesia. From there they must journey to the Oracle to find out if either is the one that will be able to lead The Guardians in a war against the King in order to save the children of Selaesia. What they didn’t realize is that the king can use the stains that mark their arms against them, and he does whatever he can to stop them.

Where do you see yourself going with Stain?
I hope to find an agent and publisher, although I don’t have anything against going Indie. Mostly, I think that through an agent and publisher I can learn a lot and I won’t have to fully rely on ME!

Have you sent out any queries?
If this book ends up being everything I hope it will be then I will start querying this fall. *crosses fingers.*

What is your favorite book or author? Why?
Right now I am on a Brandon Mull kick! I love his MG series, FABLEHAVEN, and I am also enjoying the BEYONDERS series that has just started.

What has been the hardest part about writing Stain? About writing in general?
#1 hardest thing for me – is TIME! When I get the kids to bed, I want to curl up in bed and WORK! However, my husband thinks that his time to watch TV. We try to trade off, but I think I’m going to have to come up with a new plan. #2 thing that I am working on is using “active” voice. That can be tricky, but once again – I have awesome crit partners to help me out.

What has been the best or most rewarding aspect of writing?
Learning, growing and meeting awesome writers in the blogosphere. Honestly – the friendships and support are phenomenal!

Do you have any "technical" suggestions for new writers?
I think writers should attend as many workshops or conferences as possible. You learn so much and meet great people. Also – look into WriteOnCon. I wasn’t sure what to expect from that last year, but it was wonderful and I look forward to it this year. AND… do blog hops! Especially if they are writing related. It’s great to practice and get feedback!

Do you have any sage advice for new writers?
I think it’s important to “NEVER GIVE UP!” Honestly – there are pumps and valleys along the road to publication, so don’t give up. I also think it’s important to keep an open mind and use feedback. I know that I don’t see my book as others will, so I need to take their advice into consideration. It doesn’t mean I need to use it, but I should be open about my writing and not consider myself perfect. (Don’t tell my husband… as far as he knows… I am always right and always perfect.)

Have you published anything?
I did submit my 2 short stories from the Campaign Challengers on Rachel Harrie’s blog. It has been a fun experience to see a few of my things available to the public.

How about some links to any blogs, websites, or other online media you run?
http://leigh-covington.blogspot.com

http://twitter.com/leighcovington

http://facebook.com/leigh.covington

Thanks  for helping me out and giving our readers something to distract themselves from at work! Keep at it, and one day we'll all be published and share snooty drinks at a snooty writer's club or something. That's what Stephen King and Brandon Mull do right?

Aspiring Writer Interview: Anna Gailey

Anna Gailey

This week's Aspiring Writer Interview is with Anna Gailey, a fellow writer from here in Utah. She is 23 years old, and lives in West Valley. She and I attended the same high school (WJ represent), with a year difference. In fact, she and my wife Becky were friends. It's odd how you sometimes find out that people's interests coincide with your own, years after you meet them. Anna agreed to do this interview just yesterday, as I was running behind because of the holidays. She is very active in the writing scene, and runs her own blog, which you can visit here. On to the questions!


Thanks for helping me out on short notice Anna. Tell us about yourself. Are you married? Have any kids?
I've been married for almost four years and though we don't have any children, we do have two cats, named Aerith and Rikku (After Final Fantasy characters) that are as close to children as we would like at the moment. 

Let's talk about writing. How long ago did you start?
I've been writing for a long time. I remember writing small stories when I was younger, then when I found my love Harry Potter that's when a lot of the writing started. Mostly with Online Role Playing and fanfiction (that is truly terrible, like all fanfiction should be). It wasn't until about High School that I seriously considered writing more. 

What project are you currently working on?
Currently I'm contemplating on revising my NaNoWriMo [titled Out of Tune]. Since this was the first year that I actually finished (with a whopping 50,123 words), I feel like I should try and tweak it a little bit. Though the idea of reading it, and realizing that it's as awful as I imagine it to be, is a bit daunting. 

I'm also working on a short story about a modern Greek God reincarnation. It may end up going further than I think, but for now I'm just planning it being a short story. 

How long have you been working on Out of Tune?
Not long. In fact, only a few months. Which (unfortunately) is the longest I've ever really spent on something of my own creation. 

Tell us a little about it.
My NaNoWriMo project is about a deaf girl that falls for a boy who is hearing. I am completely in love with Deaf Culture, and I really wanted to try out writing about it. There are a lot of common misconceptions about people who are deaf, and so I handle explaining that through my main characters, and how the language difference could be a challenging, but not completely impossible to overcome. 

What are your goals for it?
As of right now, my goal is to finish. As awesome as it would be to get published, I'm focusing on one task at a time. Finish, then revise, revise some more, and again with the revising, share with friends/critique partners, revise more, ect. 

What is your favorite book or author? Why?
That is a loaded question, as of right now, I have a handful of favorite authors. 

Meg Cabot: I loved Meg's Young Adult literature as soon as I read them, then as I got older, I jumped into her 'adult' fiction. I love the way that she writes, it's like talking to your best friend after months of not talking. 

John Green: Having become obsessed with his YouTube videos, this man has given me some of the greatest advice when it comes to writing. John Green is one of those authors who when you read his stuff, you don't think "I want to write something that is just as good as this" you think "This is amazing, I want to write something BETTER!", which is what a good book does to authors. 

I normally tend to stick to Contemporary Fiction, and Young Adult Contemporary. It's where I'm the most comfortable.

What has been the hardest part about writing Out of Tune? About writing in general?
The hardest part of writing my NaNo is the conversations. I had to figure out a way to describe the sign language, while also making it so the characters could understand each other. I used everything from charades, to pen and paper, to just slow talking. 

What has been the best or most rewarding aspect of writing?
Creating characters. I have about 30 characters that I've written out full histories and bios for that still have yet to find a home in a story. Creating characters is one of my favorite things to do. 

Do you have any "technical" suggestions for new writers?
When I start a story, I always create Character profiles of my main characters. That tell a little bit about the character and range from favorite color, to thoughts about the universe. This helps me when I need to look back on my character when I'm not sure what they would do in a certain situation. 

Do you have any sage advice for new writers (inspirational messages, cautions, etc.)?
Two of the best quotes about writing I've ever found are from John Green and Meg Cabot. 

John Green: "I just give myself permission to suck. I delete about 90% of my first drafts (the only exception to this rule so far has been Will Grayson, Will Grayson) so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90% chance I’m just gonna delete whatever I write anyway. I find this hugely liberating.

I also like to remind myself of something my dad said to me once in re. writers’ block: “Coal miners don’t get coal miners’ block.”"

Meg Cabot: "Write the kind of story you would like to read. People will give you all sorts of advice about writing, but if you are not writing something you like, no one else will like it either."

Particularly the "Giving myself permission to suck" thing has stuck with me.

Have you published anything?
I had a few poems published when I was in high school, but nothing as of late. I'm also part of a collaborative website called GeekCrafts.com.

Can you give us some links to any blogs, websites, or other online media you run?
This section should be called: Anna is addicted to the internet:

Twitter: http://twitter.com/luckiestxclover

Blog: http://annasheadintheclouds.blogspot.com

YouTube: http://youtube.com/4girlsandatardis (a collaborative Youtube channel)

GeekCrafts: http://geekcrafts.com


Thanks Anna!

Finding your groove.

Finding the rhythm and flow of writing isn't easy. I think some new writers think that once you finish your first book, or sell a novel, that suddenly writing becomes easy. I know I did. Unfortunately, it never works that way. It has been several months since I finished my first draft of The Sometimes Sword, and yet the last few weeks have been the most difficult for me to find motivation. Now, I don't want to focus on the difficulties; I want to highlight some of the things that will, first, help you realize you aren't that different from the rest of us, and second, maybe find some good advice to help you out.

I don't have much in the way of advice today, but I do want to say this: ask yourself why you are writing. Is it just a hobby? For fun? Are you just bored? Do you want to someday sell a book? Whatever your answer is, be it ambitious or laid-back, that's fine. But, you need to look at what your intentions are, then carefully assess what you've been doing, and how it supports, or doesn't support your dream. If you want to make a living writing novels, then approaching it like a hobby is probably not going to work, etc. Just try to make good decisions, and constantly re-evaluate your priorities.

Now I want to hear from you. What advice can you give other readers about managing their dream, and finding the healthy groove of writing?

Posts and Interviews resuming after the first of the new year.

I hope everyone has a wonderful holiday week! If you find yourself bored, feel free to browse the archives (I've got some long posts in there). Stop by my previous interviews if you haven't already!